My favourite piece from this year’s TD Summer Reading Club. This is the centrefold poster in the program’s magazine, designed to showcase not only all the characters, but the different types of activities central to this year’s Making theme: art, music, crafts, textiles, building, inventions, electronics, photography, gardening, cooking, and of course, reading.
Seventy years ago, on June 6, 1944, two American servicemen—preparing for the D-Day landing—attached a miniature life vest to a puppy. This Kodachrome footage was, I believe, captured by Hollywood director George Stevens or by a member of his U.S. Army Signal Corps film unit. [x]
We have no way of knowing if these men—or their puppy—made it home or even survived the day.
Jess Fink posted a pretty hard-hitting piece earlier about dealing with misogyny in her family. After the tragedy at UCSB this weekend, social media has lit up with some much-needed and frank conversation about just how prolific, sinister and culturally accepted it is for men to openly hate…
So, i read this awful article using bathroom “scare tactics,” which was claiming that trans women are potential rapists. “Men” who dress as women to gain access to women only spaces and force them self on women. This really upset me and i had a bit of a Twitter rant. They were read by others and i was urged to post them in other media also, so i am posting them here. (Edited together in easy reading format from top to bottom.)
This is the link in the first tweet about how there are no cases of a trans woman attacking a cis woman in public restrooms: Link 1.
This is the link in the second tweet about the cases where trans people are assaulted in the bathroom by cis people: Link 2.
if you’re cis and you follow me i’m gonna need you to reblog this
“The only way you can explain the behavior of women in most mainstream comics is that there has to be some sort of orgone accumulator that’s broken and driving everybody crazy. Why else would you be presenting your labia?” laughs Fraction. “Comics have done a lot of fucking wrong to its representations of women, let alone women’s sexuality.”
And maybe that’s what sets Fraction apart—and what makes Sex Criminals his most daring book yet. It’s not just that he realizes that there’s a serious sex problem in comics, or that he knows how to discuss it in incredibly nuanced ways, or even that his work often functions as counterprogramming. It’s that it so obviously pisses him the hell off. And in an industry that often seems trapped in a reductive and inane conversation about whether or not sex in comics is “good” or “bad,” Fraction loves both sex and comics, and loves talking about both in equal proportion to how much sex in most mainstream comics makes him want to facepalm.